Horizontal line: no innovation, no design
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March 03 15:07:50, 2020
Yu Bin is a cutting-edge designer of Asian strength . His appearance is calm and calm, but he has unique insights into the design. It advocates “no innovation, no design.†Focusing on the diversity of design culture, it is good at using the spirit of traditional culture, and the design method is contemporary without losing tradition. In his design works, “contemporaryâ€, “cultural†and “artistic†are co-dissolved and symbiotic, which is used as a design language for spatial expression. Inspired by the commonality and collision of traditional misconduct; seek the essence of design in the staggered and harmonious place where art does not live.
He likes to find the spiritual appeal of design culture in the combination of thoughts in the memory of history. In his design, the spirit of innovation that he is constantly pursuing has also earned him many praises in the society and in the industry. Some young people with his design dreams joined the HSD horizontal line design team led by him.
HSD Shenzhen City Horizontal Line Interior Design Co., Ltd. Chief Creative Executive Director Yu Bin
Reporter: Good morning, netizens, the guest who came to our studio today is the chief creative executive director of HSD Shenzhen Horizontal Line Interior Design Co., Ltd. Hi teacher, hello!
Yubin: Dear friends, good morning everyone!
Reporter: I heard that you have gone to India, France and other countries some time ago. You should get a lot of inspiration during this trip. Can you share the biggest gains with you?
Yubin: Travel itself is a process of harvesting. It is accurate to say that it is going to India after the end of the year. India's harvest is quite large. It is a country with a large thickness and is supported by civilization. There will make me feel a lot more energy than the professional, the energy can not be described in a language, but I want to use a word to describe, is "chaos", it is full of Through agricultural civilization, industrial civilization, and information civilization, it is the information age of information, technology, etc. The words I just mentioned can be broken up like juice and then drunk.
Reporter: Do you get some income and inspiration every time you go out to travel, will you apply it to some of your works or projects?
Yubin: Although this is not a direct application relationship, it should be an energy conversion relationship. After seeing and thinking about you, it will chemically react to your own new energy. The new energy will be applied to the design. Think about it this way.
Reporter: The architectural features of each country are different. Is there a similar or different style of interior design or architectural style between India and China?
çšå®¾: This is a certain, geographical difference, the same in our country, the region has great differences in the south and north. Our Tibet, Xinjiang and our side or the mainland are very different. However, I personally prefer a place with a long history and civilization support. Its magnetic field is relatively strong and it is easy to attract me.
Reporter: Some historical or cultural elements will be used in your design style.
Yubin: History is a mirror. We live in the present and will become history after a while, so we can trace a lot of things from it.
Reporter: In addition to being a senior architectural interior designer, you are also a design instructor at the School of Architecture of the Central Academy of Fine Arts and the Academy of Fine Arts of Tsinghua University. It is understood that the current art education system in China is not perfect. How do you view the current situation, whether you have encountered some problems, and whether there are some good suggestions and ideas in the face of these problems.
Yubin: Education is definitely a problem, everyone knows this. Because the whole country has problems, the problem will radiate to all aspects. It has problems from the source. We can't talk more about it. We can only talk about a certain sector of a certain industry. In fact, this plate has already reflected the whole. The state is gone. If education is to be done well, there is only one way to liberate the collective and realize the true freedom of the individual and the heart. What freedom is freedom? Tracing back is not easy to chase. What kind of state we need to achieve personal value, of course, design needs more embodiment of personal value. When you are really personal, you will be free to distribute you. The action, your actions will make you make good things, only discover, and have new ideas. This is still an institutional problem. The system problem is not something that someone can solve. But it can be said. Everyone knows that there is a problem. Time has changed, but the speed of change has been slow, not as high as expected. It is such a state. Just like all walks of life in the whole country, we are all moving in the direction of a sun, just walking at the same speed as the old lady, this time should be like a young man.
Reporter: Among the students like you, have you done interior design after graduation, or are you doing something else?
Yubin: Everything is done. There are those who go abroad to study, some who have studied and researched, and some have changed careers.
Reporter: Why do many people like designing this piece go to the end? What is the reason? For example, halfway through, halfway through the middle of the road.
çšå®¾: There are many reasons for this. It may be because of the family, or it may be because he still has no understanding of the design itself, or is not the most passionate about the industry.
Reporter: Many designers have done a good job, especially have a promising future. If they don't do well, they will be silent for a lifetime.
Yubin: Design still needs a little faith.